Sarah is originally from Belgium. She trained at the Stedelijke Instituut voor Ballet, Antwerp, and the English National Ballet School, London. Her West End debut was in Andrew Lloyd Webber’s Cats for Sir Trevor Nunn. Following this, she appeared in a UK touring production of Carousel, directed by Matthew White and Wayne Sleep, before returning to the West End in Fame. Subsequent West End appearances have been in Kiss Me, Kate and Chicago. Other stage roles have included: Ivy Smith in On the Town (Théâtre du Châtelet in Paris), the Baroness in the UK tour of The Sound of Music, and Helen Burger in the UK tour of The Glenn Miller Story.
Sarah’s most recent screen work includes: series one of “Different for Girls”, the docudrama “Small Hands in a Big War”, and Lars von Trier’s acclaimed feature Nymphomaniac: Volume II alongside Charlotte Gainsbourg. Sarah is thrilled to be reprising the role of Roxie Hart.
Josefina is thrilled to be returning to Chicago, having had many fond years playing Roxie Hart, and was privileged to be part of the London 10th-anniversary celebration of the show. Josefina trained at the Arts Educational Schools London and began her career as a soloist with the National Ballet of Portugal. Theatre credits include: Pouncer/Caroline Louisa in The Box of Delights (Wilton’s Music Hall); Desriee Armfeldt in A Little Night Music (Watermill Theatre, Newbury); Mavis Turner in Stepping Out (Vaudeville Theatre); Mrs Teavee in Charlie and the Chocolate Factory (Theatre Royal Drury Lane); Pamela Willey in Two Into One (Menier Chocolate Factory); Evilena in Puss in Boots (Hackney Empire); Gussie Carnegie in Merrily We Roll Along (Menier Chocolate Factory, Harold Pinter Theatre and Digital Theatre – Olivier Award nomination for Best Supporting Actress); Anna Leonowens in The King and I (UK tour – MTA nomination for Best Actress in a Visiting Company); Lilley in Park Avenue Cat (Arts Theatre); Lady Jacqueline Carstone in Me and My Girl (Sheffield Crucible); Nicky/Ursula in Sweet Charity (Menier Chocolate Factory and Theatre Royal Haymarket – Clarence Derwent Award–winner and Olivier Award nomination for Best Supporting Actress); Irene Molloy in Hello, Dolly! (Regent’s Park Open Air Theatre); Katherine Kelly in The Murder Game (King’s Head); Annabella Schmidt/Pamela/Margaret in The 39 Steps (Criterion Theatre); Lilly Pepper in Red Peppers, Barbara Faber in The Astonished Heart, Jan Featherways in Family Album, Lady Maureen Gilpin in Hands Across the Sea, Doris Gow in Fumed Oak and Victoria Gayforth in Shadow Play — all part of Tonight at 8.30 (Minerva Theatre, Chichester); Kathy Seldon in Singin’ in the Rain (Sadler’s Wells and Leicester Haymarket theatres); Cassie in A Chorus Line (Sheffield Crucible); Alexandra Spoford in The Witches of Eastwick (Prince of Wales Theatre); Roxie Hart in Chicago (Adelphi and Cambridge Theatres); Dot/Marie in Sunday in the Park With George (Leicester Haymarket); Helena in A Midsummer Night’s Dream (Cannizaro Park); Laurey Williams in Oklahoma! (National and Lyceum theatres, London, and Gershwin Theatre, New York – nominated for Olivier Award and Outer Critics Circle Award for Best Actress in a Musical, and Astaire Award for Outstanding Dance); Cassie in A Chorus Line (national tour); The Goodbye Girl (Albery Theatre); Maggie in A Chorus Line (Derby Playhouse); Iris Kelly in Fame (Cambridge Theatre); Dream Laurey in Oklahoma! (national tour); Carousel (National and Shaftesbury theatres) and workshop performances of Mathilde (Vaudeville); The Marriage of Figaro (National Theatre Studio); The Woman in White (Sydmonton Festival) and The Ambition Bird (Cardiff Festival of Musical Theatre).
Television and film credits: “Miranda”, “Doctors”, “Ronni Ancona & Co”, “Heartbeat”, “Totally Frank”, “Born and Bred”, “Auf Wiedersehen Pet”, “Sunburn” and “Oklahoma!” Radio: “In Tune” (Radio 3), “Blindness” (Radio 3), “Friday Night Is Music Night” (Radio 2). Concerts include: “The Night of 1,000 Voices” (Albert Hall); “One Enchanted Evening”; “Chess” with the Bournemouth Symphony Orchestra; and a guest appearance with Sacha Distel at the Café de Paris. Recordings include: Ms. A Song Cycle, Oklahoma!, The Goodbye Girl, Fame and Carousel.
Cuba Gooding Jr. is best known for his Oscar-winning portrayal of the charmingly arrogant pro-football player Rod Tidwell in Cameron Crowe’s Jerry Maguire. In 1991, he received critical acclaim for his portrayal of Tré Styles in John Singleton’s coming-of-age classic Boyz n the Hood, which earned him ShoWest’s Newcomer Award. He followed this success with roles in numerous critically acclaimed major films, such as As Good as It Gets, What Dreams May Come and the Oscar-nominated A Few Good Men. In 1997, Gooding was honoured with the Academy Award for Best Actor in a Supporting Role for his performance in Jerry Maguire. In addition to the Oscar, Gooding was presented with the Screen Actors Guild Award, the Broadcasters Film Critics Award, the Critics’ Choice Award and the Chicago Film Critics Award. In 2002, Gooding received a star on the Hollywood Walk of Fame honouring his extraordinary achievements. His versatility as an actor is exemplified by the diversity of the roles he has played. His repertoire has grown to include major roles in numerous critically acclaimed films, including Men of Honor, Pearl Harbor, Radio, American Gangster, Shadowboxer, the George Lucas–helmed Red Tails, and Lee Daniels’ critically acclaimed The Butler, which received a Screen Actors Guild Award nomination for Outstanding Performance by a Cast. He was also recently seen in Machete Kills, the independent film Life of a King, and the critically acclaimed Selma opposite David Oyelowo and directed by Ava DuVernay.
Gooding has also appeared in award-winning movies for television, including Gifted Hands: The Ben Carson Story and 2012’s Firelight, the highest-rated Hallmark Hall of Fame movie ever. Gooding made his Broadway debut in the Tony-nominated smash-hit revival The Trip to Bountiful alongside Cicely Tyson. Reviews called his performance “triumphant”, “moving” and “exquisitely right”. Gooding was most recently seen in Ryan Murphy’s hit series The People v O J Simpson: American Crime Story, in the titular role of O J Simpson.
At Shakespeare’s Globe, Paul has appeared in The Tempest, Cymbeline, The Oresteia, Measure for Measure, Julius Caesar, Doctor Scroggy’s War, The Knight of the Burning Pestle, The Duchess of Malfi, Henry V, Henry IV Parts One and Two, Love’s Labour’s Lost, We the People, Coriolanus and Under the Black Flag. His other theatre includes: A Woman of No Importance (Vaudeville Theatre); The Cutting of the Cloth (Southwark Playhouse); Hairspray (national tour); Chekhov in Hell (Plymouth Theatre Royal and Soho Theatre); The Merchant of Venice (Derby Theatre); Comedians (Lyric Hammersmith); Chicago (Adelphi/Cambridge Theatre); Dying for It (Almeida); Women Beware Women (RSC); Singer (Tricycle); Americans (Arcola); Arsenic and Old Lace (Strand); A Midsummer Night’s Dream (Albery); The Changing Room (Royal Court at Duke of York’s); Teechers (Arts Theatre); Bouncers (Donmar Warehouse); Hamlet, King Lear and Edward II (Compass Theatre); The Rivals (Derby Playhouse); She Stoops to Conquer (Bristol Old Vic); and Richard II and East (Oldham Coliseum).
Film credits include: Pond Life, Undercliffe, Making Noise Quietly, A Cock and Bull Story, Honest and Topsy-Turvy. His television work includes: “Holby City”, “Doc Martin”, “Horizon – Einstein, Doctors, French and Saunders”, “My Family”, “Victoria Wood: With All the Trimmings”, “dinnerladies”, “Murder Most Horrid”, “EastEnders”, “The Bare Necessities”, “The Bill”, “City Central”, “The Broker’s Man”, “The Ritz” and “Whose Line Is It Anyway?”
Ruthie trained at Laine Theatre Arts. Following her training, she joined the UK tour of A Chorus Line, playing Maggie. Ruthie’s West End debut was in Cats, where she played a variety of roles, including Jemima, Demeter, Jellylorum, Griddlebone and the leading role of Grizabella. Following Cats, Ruthie joined the world premiere cast of Miss Saigon, taking over the role of Ellen. She also played Ellen in the final Broadway company of the show and on the acclaimed symphonic recording. In 1991, Ruthie created the role of Aphra in Children of Eden, before appearances at Chichester Festival in Valentine’s Day; Divorce Me, Darling!; and Sisterhood. Ruthie then took over as Fantine in the West End production of Les Misérables at the Palace Theatre. She was later invited to recreate this role for the acclaimed 10th-anniversary concert at the Royal Albert Hall as part of the “Dream” cast, which was filmed for television. Ruthie’s appearance in Crazy for You at the Prince Edward Theatre established her as one of the most popular stars in the West End. She was nominated for an Olivier Award for her performance and took the show to Canada, where she played opposite Mickey Rooney. Upon her return to the West End, she took over the role of Nancy in Oliver! at the London Palladium. In 1994, Ruthie starred in She Loves Me at the Savoy Theatre, winning her first Olivier Award for Best Actress in a Musical. Ruthie next starred as Roxie in the original London company of the revival of Chicago. Her performance got her nominated for her third Olivier Award, as well as being voted the most popular musical actress of the past 25 years by theatregoers. Ruthie has played both leading roles in the show in London and on Broadway. Other appearances in New York include: Ziegfeld Follies of 1936 and the plays The Vagina Monologues and The Other Woman. Her appearance in Stephen Sondheim’s Putting It Together, alongside Carol Burnett, was filmed for television. After three years in New York, Ruthie returned to London to star in Peggy Sue Got Married, which saw her fourth Olivier nomination. She toured the UK as the leading lady in Fosse, before returning to the West End in Andrew Lloyd Webber’s The Woman in White. Ruthie created the title role in Marguerite, a new musical by the creators of Les Misérables and Oscar-winner Michel Legrand; for this she received her fifth Olivier nomination. In 2011, she appeared in Noël Coward’s play Blithe Spirit as Elvira. In 2014, Ruthie joined the cast of Billy Elliot as Mrs Wilkinson at the Victoria Palace Theatre in the West End. Her performance was broadcast in cinemas around the world, with the live broadcast topping the UK and Ireland box office. In demand as a concert performer, Ruthie has toured extensively in the UK, USA and Australia.
Television appearances include: Valery in “The Case” for BBC, “Curb Your Enthusiasm”, “Law & Order”, “The Mysteries of 71st Street”, “The Sound of Musicals” and as a judge on “Dancing on Ice”. Recordings including: I’ve Loved These Days, Pilgrim, The Ruthie Henshall Album, Love Is Here to Stay, Chicago, She Loves Me, Crazy for You, Les Misérables, The Children of Eden and I Love Musicals. Ruthie’s book So You Want to Be in Musicals? was released in 2012. For Lily, Dolly and Noel.
Training: Guildford School of Acting, receiving a distinction and the Principal’s Award for Excellence. Theatre includes: Mary Sunshine in Chicago (UK tour and Singapore); Off West End Theatre Award (Offie) winner for performance as Mabel in The Pirates of Penzance (Wilton’s Music Hall, UK and international tour); Yum-Yum in The Mikado (UK tour); lead vocalist in the Thursford Christmas Spectacular; Josephine in HMS Pinafore (UK tour); Kitten in Molly Wobbly (Leicester Square Theatre); Ballo (King’s Head Theatre); Phyllis in Iolanthe (Wilton’s Music Hall); lead vocalist in Fables and Fairytales (Bridlington Spa); Sweet Charity (Theatre Royal Drury Lane); Second Class Parents (Etcetera Theatre); Chélinot (Union Theatre); European premiere of Listen to My Heart: The Songs of David Friedman (Marlborough Theatre, Brighton); a live recording of South Pacific for transmission on BBC Radio 2 over Christmas 2005 (Birmingham Symphony Hall); Ann Veronica (Courtyard Theatre, Covent Garden); The Winter’s Tale (Theatr y Werin, Aberystwyth); Cyrano de Bergerac for RSC (Playhouse Theatre, Oxford); and Scrooge the Musical (New Theatre, Oxford). Other work includes: lead vocalist on board the Cunard Queen ships, including the inaugural world cruise of the Queen Victoria and the farewell world cruise of the QE2 (Belinda King Creative Productions). For Mum, Dad and Monkey.
Michelle trained at Mountview Academy of Theatre Arts. Theatre credits include: Chicago (Marina Bay Sands, Singapore); West Side Story (Salzburg Opera Festival); Tonight’s the Night (UK tour); Jesus Christ Superstar (UK arena tour); Batman Live world tour (UK, Europe and South America); and the 10th-anniversary cast of Chicago (Cambridge Theatre).
Film and television credits include: Captain America: The First Avenger (Marvel Studios) and “Strictly Come Dancing” (BBC). Michelle was a finalist on “Grease Is the Word” (ITV/SYCO). Instagram: @thelittlebutterfly_mariposita
Natalie trained at the London Studio Centre and graduated with a BA (hons) in Theatre Dance. Theatre includes: Cassandra/first-cover Bombalurina in Cats (international tour); Cassandra/dance captain/ first-cover Bombalurina and Demeter in Cats (RCCL/the Really Useful Group); Hunyak in Chicago – das Musical (Palladium Theatre, Stuttgart); Kitty and Liz in Chicago (RCCL/Namco); Lady Mabelle in Once Upon a Mattress (Union Theatre); Snow White and the Seven Dwarfs (Wolverhampton Grand); and Peter Pan (Darlington Civic). Cast recordings: Chicago – das Musical (original cast revival soundtrack). Natalie is thrilled to be making her West End debut and would like to thank her family and friends for their continued support. Instagram: @nataliebennypro
Abramo began dancing in Lecce, Italy, where he trained and competed at national level in ballroom and Latin dance. He then moved to England, where he graduated in dance and musical theatre from Stella Mann College of Performing Arts. Credits include: Gypsy King in La Traviata and Major Domo in Adriana Lecouvreur (Royal Opera House); Ghost the Musical workshop; Harry in the UK tour of Chicago; ensemble in Chicago (West End); dancer and understudy Abanazar in Aladdin (King’s Theatre, Glasgow). Broadway: The Star-Spangled Celebration (USA tour); Spirit of Christmas (USA tour); and Little Women (Bloomsbury Theatre). Commercials include: Football Fan for FIFA World Cup 2010 and 2014 campaigns, and Cocktail Maker for a Conforama campaign for France. Abramo is delighted to be returning to the cast of Chicago.
Training: Laine Theatre Arts. Theatre credits: June in Chicago (UK tour), Elf the Musical (Dominion Theatre), Sinatra (Palladium Theatre), West Side Story (UK tour). Film includes: Mamma Mia, Here We Go Again. Television includes: “Royal Variety Performance”, “The Magicians” (BBC), “Blue Peter”. Other work includes: cast recording of Elf the Musical, Wrotham Park event – Baz Luhrmann & Rob Ashford. Instagram: @nic.florence
Training: the Wirral Theatre School and Bird College. Theatre credits: ensemble in Eugenius! – the Musical (the Other Palace Theatre); cover Billie/ensemble in Our House (UK tour); Hunyak in Chicago (UK tour); ensemble in Jack and the Beanstalk (Hackney Empire); swing in Matilda the Musical (Cambridge Theatre); ensemble and understudy Ali in Mamma Mia! (international tour); Kristine in A Chorus Line (the London Palladium); ensemble in Sleeping Beauty (Marlowe Theatre); and ensemble in Ultimate Broadway (Shanghai). Theatre credits whilst training include: Anita in West Side Story, soloist in Broadway Then and Now and White Christmas.
Chris trained at the Arts Educational Schools London. Credits: Quartermaster Hitchens in Titanic (Gordon Craig Theatre); Mamma Mia! international tour (MGM); Harry in Chicago (UK tour); Kieran in The Amicable Solution (Battersea Arts Centre and the Colour House Theatre); Hunter in Fuchsia (Trafalgar Studios); Fogarty in Chicago (Cambridge Theatre, West End); The Royal Variety Show (London Palladium, West End); Junior in Crazy for You (Leicester); Desire (Converse/Paloma Faith); co-presenter in The Jazz Stand (BB3); the Olivier Awards (Theatre Royal Drury Lane); Dancing With the Stars (Lithuania/SRT3); cover Frank in Priscilla, Queen of the Desert (Palace Theatre, London); Macmillan Cancer concert (London Palladium, West End); “Made in Chelsea” series three (E4); male dancer for Kylie Minogue (Wembley Arena); Ruhrgold/cover Greaseball in Starlight Express (Bochum, Germany); Corny Collins in Hairspray (UK); lead singer in Broadway and Beyond (UK tour); Mark Myward in Done to Death (workshop – Soho Theatre, London); Dr Michaels in Devilish (workshop – Tristan Bates Theatre); Biederman/cover Carl in Ghost the Musical (Asia tour); Bananaman in Bananaman the Musical (original cast workshop – London Hippodrome); Billy Flynn in Chicago (Wiltz, Luxembourg); Fred in Scooby Doo! Live (London Palladium, West End); Jake in Disaster! the Musical (Charing Cross Theatre, London); and Chicago (Marina Bay Sands, Singapore).
Film credits: Hydra Captain in Captain America: The First Avenger (Marvel/Paramount, 2011); the Young Guardian in Jack the Giant Slayer (New Line Cinema/Warner Bros/dir. Bryan Singer, 2011); Horseman of the Apocalypse in Pride and Prejudice and Zombies (Cross Creek Pictures, 2014); Recruit Number Three in American Assassin (Lionsgate/CBS/Michael Cuesta); and British Auror in Fantastic Beasts and Where to Find Them and Fantastic Beasts: The Crimes of Grindelwald (Warner Bros, 2016/18). Chris is represented by Olivia Bell Management (firstname.lastname@example.org). Instagram: @chris.warner.drake
Training: two years at Tiffany Theatre College (2007–2009), gaining a BTEC in Performing Arts. Theatre credits include: Fred Casely and understudy Billy Flynn in Chicago (UK and international tour); dance captain in Aladdin, understudy Jessie the Ugly Sister in Cinderella, understudy Fleshcreep in Jack and the Beanstalk, dance captain in Sleeping Beauty, and dance captain and understudy Prince Danny of Derry in Snow White (Qdos Entertainment). Instagram: @FJForeman
Training: the London Studio Centre. West End credits: Sinatra for Stephen Mear (the London Palladium). Other credits include: swing/cover Fortune Teller and Attendant in Disney’s Aladdin (Hamburg); Liz/ensemble in Chicago (Stuttgart); ensemble in Sinatra (UK tour); dance captain for La Cages aux Folles (Singapore Esplanade Theatre); Narrator/Yuyin in Aladdin, ensemble in The Little Mermaid (Qdos Entertainment); dancer/singer/dance captain for Arcadia (P&O Cruises) and dancer/singer for Celebrity Cruises. Zoe was the opening act for Christina Aguilera’s concert special, Kevin Spacey’s special appearance in Singapore (Venetian in Macau), and the opening act for Kylie Minogue’s concert (Hong Kong). She was also dance captain and assistant choreographer for performance events across Asia. Zoe is thrilled to be back in the West End joining the cast of Chicago. Twitter: @ZoeLeoneGappy
Most recently, Emma was resident dance supervisor on An American in Paris (Dominion Theatre). Training: Royal Ballet School (White Lodge), Royal Ballet School Upper School and Laine Theatre Arts. Theatre includes: Anton & Erin’s Christmas Cracker (Royal Albert Hall); Just Gotta Dance (UK tour); Pinkie Leroy in Ace of Clubs (Union Theatre); Timon of Athens (National Theatre); Eleonora Nijinsky/Tamara Karasavina in Rattigan’s Nijinsky (Chichester Festival Theatre); Liz and cover Roxie in Chicago (Garrick Theatre); Meg Giry in The Phantom of the Opera (Her Majesty’s Theatre); Joseph and the Amazing Technicolor Dreamcoat (Adelphi Theatre); cover Mistress in Evita (Adelphi Theatre); Chicago (UK tour); West Side Story (Bregenz Festival); On Your Toes (Japan tour); Chitty Chitty Bang Bang (London Palladium); and Victoria in Cats (New London Theatre).
Films include: Frostbite (Vita Ray Productions). Other credits include: Love Never Dies (concept album) and Imagine This (workshop). For the Royal Ballet Company: Swan Lake, Romeo and Juliet, Cinderella and The Nutcracker.
Theatre credits include: ensemble/cover Prince Charming in Snow White and the Seven Dwarfs (Evolution Productions); ensemble in Annie Get Your Gun (Union Theatre, London); Harrison/Doc in Chicago – das Musical (German tour); Harrison in Chicago (Royal Caribbean’s Allure of the Seas); Captain Planet in original cast of Rainbow Rocks (international tour); John in the original cast of Six-Five Rock n Roll Express; dancer on P&O’s Azura; Vince in Fashion Victim the Musical; ensemble in Peter Pan (Camberley Theatre); dance captain in Call Me Madam (Union Theatre, London); ensemble in Aladdin at the Playhouse Theatre; Bobby in Bluebirds at the Stag Theatre, London; Linus in Snoopy the Musical at the Kenneth More Theatre, Ilford; ensemble in Robin Hood (Marlowe Theatre, Canterbury); and Lancelot in Blondalot (Helix Theatre, Dublin). Luke is represented by Russell Smith Associates and is thrilled to be making his West End debut in Chicago.
Training: the London Studio Centre. West End credits include: Munkustrap and understudy Bustopher Jones/Gus in Cats (London Palladium); swing, dance captain and understudy Joseph Smith in The Book of Mormon (original London cast – Prince of Wales); swing, understudy Farah/Young Bernadette in Priscilla, Queen of the Desert (Palace Theatre); swing and understudy Witch’s Father in Wicked (Apollo Victoria) and dance captain, Cagelle and understudy Etienne in La Cage aux Folles (Playhouse Theatre). Other theatre credits include: Munkustrap, understudy Bustopher Jones/Gus and dance captain in Cats (international tour); ensemble/understudy Buddy in Elf the Musical (original UK cast – Plymouth/Dublin); ensemble understudy Tick and Bernadette in Priscilla, Queen of the Desert (UK tour); swing, dance captain and understudy Fred Casely in Chicago (UK tour); Admetus/ Macavity, understudy Munkustrap and Tugger in Cats (UK tour and Italy); Nintendo and alternate Electra in Starlight Express (UK tour and Scandinavia) and ensemble in Chitty Chitty Bang Bang (original UK tour).
Film and TV credits: Ship Helmsman in Captain America: the First Avenger (Marvel Studios); Foot Soldier in Jack the Giant Slayer (Warner Brothers); featured dancer in “Penny Dreadful” series two (Showtime); Lars in “Priscilla, Queen of the Desert” on The Alan Titchmarsh Show (ITV) and Cagelle in “La Cage aux Folles” on “Comic Relief’s Big Chat With Graham Norton”; and “The Royal Variety Performance” (BBC). Matt has also been involved in numerous development workshops, including Charlie and the Chocolate Factory (Playful Productions); Ghost the Musical on Broadway (Colin Ingram Ltd); and La Cage aux Folles Broadway workshop (Sonia Friedman Productions). Choreography credits include: Loserville (the Union Theatre) and Cool Rider in the West End (Duchess and Lyric theatres, London – directed by Guy Unsworth). Represented by Michelle Blair Management. Twitter: @MattKrzan
Training: Bird College. Theatre includes: Martha Burelli in The Rat Pack: Live From Live Vegas (UK and international tour); ensemble in Chicago (UK tour); dancer/vocalist in Blue Planet (Royal Caribbean Cruise Lines) and ensemble in Dick Whittington (Birmingham Hippodrome). Television and film: dancer in Disney’s upcoming live action remake of Aladdin, directed by Guy Ritchie; “EastEnders Does Top Hat” for Children in Need; “Michael McIntyre’s Easter Night at the Coliseum”; “The Alan Titchmarsh Show”; and “Celebrity Big Brother”. Other work: adverts for Three mobile, Gymbox, McDonald’s, Honda and Sports Direct; dancer for brands such as Adidas, Debenhams, M&S, Wella, Christian Louboutin, Nike, BMW and more. Instagram: @ChelseaLabadini
Training: Australian Dance Performance Institute in 2008–09. Theatre credits: Miss Understanding, and understudy Bernadette and Bob in Priscilla, Queen of the Desert (UK and international tour); Fred Casely and understudy Billy Flynn in Chicago (China tour); and Bobby in Cabaret (UK tour). Television credits: “The X Factor”, “Strictly Come Dancing”, “The People’s Strictly for Comic Relief”, “Britain’s Got Talent”, “Got to Dance”, “Frank Sinatra: Our Way”, “The One Show” and “Nadia Forde Chasing the Dream”. Artists: dancer for Taylor Swift, Katy Perry, Kanye West, Backstreet Boys, Shania Twain, Pixie Lott, Kimberly Wyatt, Basement Jaxx, Freemasons, Ricki-Lee, Zoë Badwi, Rebecca Ferguson and Nadia Forde. Film: featured dancer in Queen of the Desert. Callum has toured with “Strictly Come Dancing” in their live arena tour, performed in “Clothes Show Live”, and worked with brands such as Reebok, H&M, Wowcher, Huawei, YouTube, Harrods and Lexus. Instagram: @callumseanmacdonald
Training: Millennium Performing Arts and Corraine Collins Dance Studios. Theatre credits: ensemble in Der Rosenkavalier (Royal Opera House); dance captain/swing in Elf the Musical (original West End cast); dance captain/swing/understudy Debs in Elf the Musical (original UK tour); assistant to choreographer in Anya Hindmarch’s show (London Fashion Week); Veronica/understudy Carol Cleveland in Monty Python Live (Mostly) (O2 Arena); Kitty/understudy Roxie and Velma in Chicago (China tour); Annie/swing/understudy Velma and Mama Morton in Chicago (Royal Caribbean Cruises Ltd); ensemble in Dick Whittington (First Family Entertainment); Annie/understudy Velma in original cast of Chicago (RCCL); dancer/aerialist in original cast of Blue Planet (RCCL); ensemble in Exposure (workshop cast); and ensemble in La Traviata (Birmingham Opera Company).
TV and commercial credits: Glitter Girl in Sketch (Odelay Films); actor in Oxfam/Coldplay Internet commercial; actor in Sony AXM commercial; and dancer/model in various commercials and music videos, including Barclaycard, Miike Snow, Pizza Express, TLC/Discovery Channel, Sky Television and Mika. Twitter: @jorennie / Instagram: @joannarennie
Charles started dancing under the tuition of Jacqui Lidgard Brown and went on to further his training at Bird College. Theatre: Link Larkin in Hairspray (Leicester Curve); Corny Collins in Hairspray (UK tour); Top Hat (original West End cast – Aldwych Theatre, London); Mac in 42nd Street (Leicester Curve); Brad and understudied and played roles of Link Larkin and Corny Collins in Hairspray (original UK tour); understudied and played Sonny in Grease (Piccadilly Theatre, London); Young Sailor and understudy Chip in On the Town (Théâtre du Châtelet, Paris); We Will Rock You (Dominion Theatre, London); Peter Franklin and cover Steve Edwards in Babes in Arms (Festival Theatre, Chichester); White Christmas (original cast – Mayflower Theatre, Southampton); Nick Piazza in Fame (European tour); Reporter and understudy Mary Sunshine in Chicago (UK tour); West Side Story (Bregenz Festival, Austria); and Carousel (UK tour).
Television: “How Do You Solve a Problem Like Maria?” (BBC1) and “The Alan Titchmarsh Show” (ITV1). Film: the latest Muppets movie, Muppets Most Wanted (Walt Disney Pictures) and Mary Poppins Returns (Walt Disney Pictures), due for release at Christmas 2018.
Todd trained at the Doreen Bird College of Performing Arts. He made his West End debut at the age of 19 in Cats at the New London Theatre. Theatre: An American in Paris (Dominion Theatre); Dirty Rotten Scoundrels (Savoy Theatre); Chicago 10th-anniversary cast (Cambridge Theatre); Imagine This (Theatre Royal Plymouth); Sinatra (London Palladium); Cats (world tour); Spirit of Fosse in Chicago (Adelphi Theatre); Purse in the final West End cast of Starlight Express (Apollo Theatre); The Pajama Game (Princess of Wales Theatre, Toronto/Victoria Palace Theatre); My Fair Lady (Royal Albert Hall BBC Proms). Todd also supported Sarah Brightman on her La Luna world tour, which was filmed in Miami for DVD release.
Film and television includes: Pride and Prejudice (Universal Pictures); “Miranda” season three (BBC); French and Saunders’ “Mamma Mia!” for Comic Relief; “Absolutely Fabulous” season five (BBC); “Stars in their Eyes Celebrity Special” (Granada); “An Audience With Lulu” (ITV). Todd has also appeared in the following music videos: Kylie Minogue’s “Spinning Around”, Goldfrapp’s “Number One”, Soulwax’s “Any Minute Now” and the film Can You Touch Me.
Training: Arts Educational Schools London, BA (hons) in Musical Theatre. Theatre: dance captain/swing in Cabaret (UK tour); dance captain/understudy Stalker in The Bodyguard (Dominion Theatre and UK and international tour); ensemble in Monty Python Live (Mostly) (O2 Arena); swing in Celia Imrie’s Laughing Matters (St. James Theatre); dance captain/assistant Fight Captain/swing in From Here to Eternity (Shaftesbury Theatre); featured singer in Hot Stuff (Leicester Curve); Bobby and onstage swing in Cabaret (Savoy Theatre); swing and cover Mary Sunshine in Chicago (Garrick Theatre); ensemble in Priscilla, Queen of the Desert (Palace Theatre); Harry and Harrison in Chicago (Cambridge Theatre); assistant choreographer in En Kväll med Daniel Ganesh (Nyköping); ensemble and dance captain in Dick Whittington (Camberley Theatre); assistant choreographer in One More Time (Piccadilly Theatre); Thomas Hassinger and cover Stewpot in South Pacific (UK tour); Emperor and dance captain in Aladdin (Rhyl Pavilion); Stephen Sondheim’s 75th birthday gala, Children Will Listen (Theatre Royal Drury Lane); ensemble in Follies (London Palladium); and Cecil in Peter Pan (Wyvern, Swindon).
Television credits: “Monty Python Live (Mostly)”, Renault Clio advert, “The Alan Titchmarsh Show”, Forever Vienna commercial, Children in Need and Ashes commercial. Soundtracks: From Here to Eternity and The Bodyguard. Workshops: From Here to Eternity, Monty Python Live (Mostly) and “Ant & Dec’s Saturday Night Takeaway Live”. Modelling: Forever Vienna CD, Football Manager for the Xbox, New Look fashion show, More magazine and Attitude magazine. Matthew would like to dedicate his performance to the memory of his Grandma Jo.
The John Kander and Fred Ebb collaboration of four decades has created what many would consider Broadway standards and contemporary classics: Flora the Red Menace; Cabaret (Tony Award); The Happy Time; Zorba; 70, Girls, 70; Chicago; The Act; Woman of the Year (Tony Award, Best Score); The Rink; Kiss of the Spider Woman (Tony Award, Best Score) and Steel Pier. Their collaboration also transferred to movies and television as they wrote original material for the Academy Awards, “Liza with a Z” (Emmy Award), HBO’s “Liza Minelli’s Stepping Out” (Emmy Award), Funny Lady (Oscar Nominated for “How Lucky Can You Get”), Lucky Lady, New York, New York, Stepping Out and Chicago (Oscar-nomination, Best Song). In the mid-’80s, the song “New York New York” became the official anthem of New York City. At the time of the unfortunate death of Mr. Ebb, Kander and Ebb had several projects in different stages of completion waiting in the wings: The Visit, All About Us, Curtains and Minstrel Show. Life goes on.
Chicago is based on the play by Maurine Dallas Watkins.
A director, choreographer, dancer, and actor for film and stage, Bob Fosse was especially famous for his innovative and spectacular staging, with the emphasis on exhilarating dance sequences. He began his career in Chicago, where he studied ballet, tap, and acrobatic dance from an early age. While still a teenager, he performed with a partner as the Riff Brothers in vaudeville and burlesque theatres. After graduating from high school in 1945, he spent two years in the U.S. Navy before moving to New York and studying acting at the American Theatre Wing. He then toured in the chorus of various productions before making his Broadway debut in the musical revue Dance Me a Song. As a dancer, he performed in two long-running musicals, Call Me Mister and Make Mine Manhattan, followed by such Hollywood films as Give a Girl a Break and Kiss Me Kate. As a choreographer, his first show-stopping number was “Steam Heat” from The Pajama Game. This he followed with such hits as Damn Yankees with Gwen Verdon, Bells Are Ringing with Judy Holiday, New Girl in Town again with Gwen Verdon, and How to Succeed in Business Without Really Trying with Robert Morse. He began his career as a director and choreographer with Redhead with Gwen Verdon, Little Me with Sid Caesar, and two more Gwen Verdon musicals, Sweet Charity and Chicago. He also staged the innovative musical smash Pippin, the highly successful dance revue Dancin’, and the 1986 musical Big Deal. For the screen, Fosse directed the films Sweet Charity with Shirley MacLaine, All That Jazz with Roy Scheider, Lenny with Dustin Hoffman, Star 80 with Eric Roberts, and, most spectacularly, Cabaret with Liza Minnelli and Joel Grey. In 1973, Bob Fosse had the distinction of winning the three highest awards in three different media. He won a Tony Award for the musical Pippin, an Oscar for the film Cabaret, and an Emmy Award for the television special “Liza With a Z.”
In 1960, he married his third wife, Gwen Verdon. From that union came his only child, a daughter named Nicole. During the Washington, D.C. run of one of his most successful shows, Sweet Charity, he died of a heart attack. This occurred shortly before the curtain went up on the night of 23 September 1987.
Walter Bobbie has directed Bright Star, Venus in Fur, The Landing, Golden Age, School for Lies, Irving Berlin’s White Christmas, Chicago, The Submission, The Savannah Disputation, New Jerusalem, High Fidelity, The Other Woman, The Marriage of Bette and Boo, Sweet Charity, Twentieth Century, Footloose, Durang Durang, For Whom the Southern Belle Tolls and A Grand Night for Singing. He was artistic director of City Center Encores!, where he directed Fiorello!; Chicago; Tenderloin; Golden Boy; No, No, Nanette; and Zorba!, as well as the Carnegie Hall concerts of South Pacific and Carousel. Mr. Bobbie previously served for 12 years on the Board of the Stage Directors and Choreographers Society. He is the recipient of Drama Desk, Outer Critics Circle and Tony Awards.
Ann Reinking received the 1997 Tony Award for Best Choreography for Chicago, as well as the Drama Desk, Outer Critics Circle, Astaire and N.Y. Drama Critics Awards. Other credits include director and co-choreographer for Fosse (1998 Tony Award, Best Musical); Tony nominations for her leading performances in Dancin’ and Goodtime Charlie; recipient of the Theatre World, Clarence Derwent, and Outer Critics Circle Awards for her work as Maggie in Over Here! Film credits: All That Jazz; Annie; Micki and Maude, and Movie, Movie. Recent choreography credits include Suite Kander for Missouri State Ballet, Ritmo & Ruido for Ballet Hispanico, Legends for Joffrey Ballet of Chicago, The Threepenny Opera for Williamstown Theatre Festival, Nilsson/schmillson for Seattle’s Spectrum Dance Theatre, “Bye Bye Birdie” for ABC-TV, and the national tour revival of Applause. She is the recipient of the Drama League Award for Distinguished Achievement in Musical Theatre 1999, Musical Hall of Fame Award 1999, Dance Library of Israel Award 1998, Distinguished Artist Award 1998, School of American Ballet Artistic Achievement Award 1997, National Art Club Award for Service to the Arts 1995, and the Governor’s Award-Ambassador of the Arts for the state of Florida 1994.
Broadway: A Delicate Balance, The Heiress, The Sisters Rosensweig, The Most Happy Fella, Burn This, Penn and Teller, Ain’t Misbehavin’, Tally’s Folly, Fifth Of July, Crimes of the Heart, Baby and Anna Christie, among many others. Off-Broadway: Sylvia, The Cryptogram, The Destiny of Me, The Substance of Fire, The Road to Mecca, Song of Singapore, Lips Together, Teeth Apart, A Life in the Theatre, 20 seasons at MTC and Circle Rep. Major regional theatres, film, opera and TV. Recipient of Tony, Obie, Drama Desk and Outer Critics Circle Awards. Graduate, Brown and Yale.
William Ivey Long has designed costumes for over 70 Broadway productions. Select credits include The Prince of Broadway, A Bronx Tale: The Musical, On the Twentieth Century, Cabaret (2014 and 1998 revivals), Rodgers + Hammerstein’s Cinderella, The Mystery of Edwin Drood, Grey Gardens, Hairspray, The Producers, The Boy From Oz, Contact, Crazy for You, Guys and Dolls, Nine. He was recently nominated for an Emmy Award for his work on “Grease: Live!” for the FOX television network, and designed costumes for “The Rocky Horror Picture Show: Let’s do the Time Warp Again,” also for FOX. He has designed costumes for Mick Jagger, Siegfried and Roy, the Pointer Sisters and Joan Rivers. Mr. Long has won six Tony Awards, with 15 nominations. He recently completed a four-year elected term as Chairman of the American Theatre Wing, and was inducted into the Theatre Hall of Fame in January 2006.
Almost 100 Broadway shows including Chaplin; Hugh Jackman: Back on Broadway; The Scottsboro Boys; [title of show]; White Christmas; Drowsy Chaperone; Footloose; Sweeney Todd; Sondheim on Sondheim; Side by Side by Sondheim; Sunday in the Park With George (’08); Chicago (Tony Award); Annie (’97); Hello, Dolly! (’95); Fiddler on the Roof (’76, ’81, ’90). Tours include 9 to 5, High School Musical, Annie. Other: Riverdance (lighting supervisor), Radio City Christmas Spectacular (’79-’06), “Smash” for NBC, SeaWorld Parks’ One Ocean and Shamu Celebration, Tavern on the Green (’14). Awards: Tony, Drama Deck, Outer Critics, Lumen, Ace.
Broadway: Angels in America, My Favorite Year, Once on This Island, The Most Happy Fella, A Streetcar Named Desire, The Heidi Chronicles, Prelude to a Kiss, I Hate Hamlet. Recent work: A Fair Country at Lincoln Center and ENCORES!, Fiorello!, Lady in the Dark and all 1995 and ’96 Encores! productions at City Center. Off-Broadway: Hapgood, Putting It Together, The Last Yankee, Three Hotels, Assassins, Isn’t it Romantic?, The Substance of Fire, Geniuses and Terra Nova.
Chicago, Little Me, Funny Girl, Golden Boy, Pippin and Sweet Charity. Film credits include Academy Awards for Cabaret and All That Jazz. Won the Italian Oscar for Movie and the Emmy for “Baryshnikov on Broadway.”
Projects include the libretto for Steel Pier (1997 Tony nomination), co-conceiving And the World Goes ’round (Drama Desk and Outer Critics Circle awards), new librettos for the highly successful Off-Broadway and London revivals of Flora, The Red Menace and 70, Girls, 70. Co-created PBS Great Performances “Sondheim: A Celebration at Carnegie Hall” and wrote the recent documentary Razzle Dazzle.
Rob Fisher was the original conductor and music director for Chicago and its Grammy Award–winning cast album, and now supervises all Chicago companies worldwide. He has been the music director and conductor of City Center’s Tony Award–winning Encores! series since its inception in 1994. Other credits: four seasons of Garrison Kellor’s radio broadcasts, numerous concerts at Carnegie Hall, New York City Opera, two evenings in the East Room of the White House, several programs for PBS’s “Great Performances,” guest appearances conducting orchestras around the U.S. and over 20 recordings. Broadway and national tour credits include: Threepenny Opera starring Sting, Me and My Girl, A History of American Film, A Day in Hollywood/A Night in Ukraine, Little John Jones and Big River.
Ian was trained at Chetham’s, Manchester and at GSMD, London. He was the original Musical Director for the UK premieres of Jerry Herman’s Dear World and George Stiles’ The Three Musketeers. His musical direction credits at London’s National Theatre include the controversial award-winners Jerry Springer the Opera and London Road. He has had a long association with Chicago and has supervised international productions in Paris, Stuttgart, Moscow, Seoul, Barcelona, Madrid and Amsterdam. As a pianist he has performed extensively throughout Europe, the USA and the Far East as both soloist and chamber player, and made his acclaimed London solo debut at the Purcell Room in 1997. He was nominated for Best Musical Direction at the Broadway World Awards for his work on Cameron Mackintosh’s production of Barnum.
Theatre: Musical Supervision credits include Chicago (Paris, Stuttgart, Moscow, Seoul, Madrid, Barcelona, Amsterdam). Musical Direction credits include Mary Poppins (National Tour, Disney/Cameron Mackintosh Ltd.), Barnum (National Tour, Cameron Mackintosh Ltd./Michael Harrison Entertainment Ltd.) — Broadway World Nomination for Best Musical Direction, Peter Pan (Theatre Royal Newcastle, Qdos), That Day We Sang (Royal Exchange, Manchester), Once a Catholic (Tricycle Theatre, London and Royal Court, Liverpool), Lost Musicals: Noel Coward’s Words and Music (Sadler’s Wells), Dear World (Charing Cross Theatre, UK Premiere), London Road (NT, Cottesloe and Olivier, World Premiere), The Trumpet-Major (NT Studio), The Three Musketeers (Rose Theatre Kingston, UK Premiere), Chicago (Adelphi and Cambridge Theatre), Chicago 10th Anniversary Gala (Cambridge Theatre), Jerry Springer the Opera (NT Lyttelton and West End, World Premiere), Jumpers (NT Lyttelton), My One and Only (Piccadilly Theatre and Chichester), Anything Goes (NT, Olivier), Merrily We Roll Along (Donmar). Additional credits: The Woman in White (Palace), The Full Monty (Prince of Wales), Kiss Me Kate (Victoria Palace), Fosse (Prince of Wales), Napoleon (Shaftesbury)
Film: The Legend of 1900, Piano Coach/Advisor to Tim Roth (Dir. Giuseppe Tornatore, Composer Ennio Morricone; Medusa Films / Fine Line Features), Something to Believe In, Piano Coach/Advisor to William McNamara (Dir. John Hough, Music Lalo Schifrin, Warner), Taliesin Jones (aka Small Miracles), Piano Coach/Advisor to Ian Bannen (Dir. Martin Duffy, Impact Entertainment), Strictly Sinatra, Piano Coach/Advisor to Ian Bannen (Dir. Peter Capaldi, Focus Features), Immortal Beloved, Piano Coach/Advisor to Gary Oldman (Dir. Bernard Rose, Icon Productions).
Recordings: Valentine: Requiem (TER), London Road (NT Original Cast Recording), Jerry Springer the Opera (NT Original Cast, Sony), Anything Goes (NT Cast Recording, First Night).
Composing, conducting, arranging or pianist credits include My Fair Lady; The Sound of Music; Carnival; Hello, Dolly!; 1776; Chicago; Annie; Barnum; Baby; My One and Only; Crazy for You; and Swingin’ on a Star. Film: Indiana Jones and the Temple of Doom, Zelig, 1776, Mame, Annie and Stepping Out.
More than 20 Broadway credits, including Priscilla Queen of the Desert, Democracy, The Rocky Horror Show, The Blue Room, Jekyll & Hyde, An Ideal Husband and A Few Good Men. Currently: Associate Director for the national tour of Priscilla, Queen of the Desert.
Barry & Fran Weissler are the recipients of seven Tony Awards: Othello, starring James Earl Jones and Christopher Plummer; Fiddler on the Roof, with Topol; Gypsy, with Tyne Daly; Annie Get Your Gun, with Bernadette Peters and Reba McEntire; the 2010 revival of La Cage aux Folles, with Kelsey Grammer; the 2013 revival of Pippin (currently on tour); and Chicago, the longest-running American musical on both Broadway and the West End. Other Broadway credits include Zorba, My One and Only, Falsettos, Grease, Seussical, Wonderful Town, Sweet Charity and The Scottsboro Boys. Executive producers of Finding Neverland. Their newest hit, Waitress, currently playing at the Brooks Atkinson Theatre, stars Tony-winner Jessie Mueller and features an original score by Grammy-nominee Sara Bareilles.
Alecia Parker serves as executive producer of all worldwide productions of Chicago, Pippin, Finding Neverland and Waitress, the new Broadway musical. Currently licensing Once the Musical internationally. Other credits, spanning more than 30 years, include executive producer of La Cage aux Folles, The Scottsboro Boys, Sweet Charity, Wonderful Town, Seussical; associate producer of Annie Get Your Gun, My Thing of Love, Grease, My Fair Lady, Falsettos, Fiddler on the Roof, Cat on a Hot Tin Roof, Cabaret, and Zorba starring Anthony Quinn. She is the proud mother of Michael Parker, Atlantic Records.
City Center, a not-for-profit theatre founded in 1943 as Manhattan’s first performing arts center is home to many of America’s leading dance companies, education programs and popular engagements. The award-winning series Encores! was created in 1994 to revisit rarely heard scores, of which Chicago is one.
Duncan Stewart, CSA, & Benton Whitley, CSA. Broadway/New York: The Great Comet, On the Town, Pippin, Chicago, La Cage aux Folles, The Radio City Christmas Spectacular. Carnegie Hall: West Side Story, The Band Wagon, Pageant. West End/U.K.: Thriller Live, Menier Chocolate Factory. Tours: Finding Neverland, Into the Woods, Once, Shrek, Elf, Flashdance, Anything Goes, Bullets Over Broadway, We Will Rock You. Upcoming: Prince of Egypt, Back Home Again, Waterfall, August Rush. Regional: American Repertory Theater, The Alley Theatre, Bay Street Theater, Theatre Under the Stars (TUTS), Hollywood Bowl, TheatreWorks, Philadelphia Theatre Company, Royal Caribbean. Casting Associate Andrea Zee, CSA, & Casting Assistant Danny Dunitz. stewartwhitley.com